AKG 547 Boundary Layer

AKG 547 Boundary Layer

C547 BL is a hyper-cardioid, professional, boundary-layer microphone. The ‘rugged, non-crush case and a switchable bass-cut filter make the C547 BL an ideal choice for tough on-stage assignments’. Built on the same acoustical components as the C747 V11, the microphone provides ‘high directivity and neutral sound’.

Primarily designed for use in houses of worship, theatres and conferencing, the C547 BL is also a ‘good choice for miking kick drums and other instruments’. The ‘highly efficient’ RFi-Shield technology ‘substantially reduces interference noise due to electromagnetic pollution’. A typical placement for this microphone would be directly on the floor of stage, near the edge, thus out of sight to the audience. Alternatively it could be placed on a lectern, table or even a TV news desk.

The low profile housing has a grille assembly which may be painted to blend in with stage decoration. A low-cut switch integrated into the XLR connector may be used to reduce disturbing low frequency noise. The integral, captive, cable is 3 metres long and terminated with an XLR connector.

Output connector: 3-pin, male XLR. Applications: Voice, instruments, stage or conference. Response: 30Hz-18kHz. Sensitivity: 8.5mV/Pa. Phantom power: 9-52V DC. Dimensions: 185 x 120 x 20 (l x w x h) mm. Weight: 380g without cable.

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Description

C547 BL is a hyper-cardioid, professional, boundary-layer microphone. The ‘rugged, non-crush case and a switchable bass-cut filter make the C547 BL an ideal choice for tough on-stage assignments’. Built on the same acoustical components as the C747 V11, the microphone provides ‘high directivity and neutral sound’.

Primarily designed for use in houses of worship, theatres and conferencing, the C547 BL is also a ‘good choice for miking kick drums and other instruments’. The ‘highly efficient’ RFi-Shield technology ‘substantially reduces interference noise due to electromagnetic pollution’. A typical placement for this microphone would be directly on the floor of stage, near the edge, thus out of sight to the audience. Alternatively it could be placed on a lectern, table or even a TV news desk.

The low profile housing has a grille assembly which may be painted to blend in with stage decoration. A low-cut switch integrated into the XLR connector may be used to reduce disturbing low frequency noise. The integral, captive, cable is 3 metres long and terminated with an XLR connector.

Output connector: 3-pin, male XLR. Applications: Voice, instruments, stage or conference. Response: 30Hz-18kHz. Sensitivity: 8.5mV/Pa. Phantom power: 9-52V DC. Dimensions: 185 x 120 x 20 (l x w x h) mm. Weight: 380g without cable.

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